Track 01 – Documentation, Preservation, Monitoring and Restoration
Permanent URI for this collection
Browse
Browsing Track 01 – Documentation, Preservation, Monitoring and Restoration by Subject "archaeology"
Now showing 1 - 2 of 2
Results Per Page
Sort Options
Item The RePAIR Project: Datasets for archaeological and restoration studies in Pompeii(The Eurographics Association, 2025) Zuchtriegel, Gabriel; Brunetto, Maria Antonella; Gravina, Elena; Napolitano, Maria Cristina; Ricciardi, Francesca Simona; Zambrano, Alessandra; Khoroshiltseva, Marina; Palmieri, Luca; Pelillo, Marcello; Vascon, Sebastiano; Elkin, Gur; Shahar, Ofir Itzhak; Ohayon, Yaniv; Alali, Nadav; Ben-Shahar, Ohad; Campana, Stefano; Ferdani, Daniele; Graf, Holger; Guidi, Gabriele; Hegarty, Zackary; Pescarin, Sofia; Remondino, FabioThe work will focus on the RePAIR project, an acronym that means Reconstructing the Past: Artificial Intelligence and Robotics meets Cultural Heritage. The case study is the Archaeological Park of Pompeii in which the fragments of wall paintings from two buildings buried by the volcanic eruption of AD 79, the House of Painters at Work and of the Schola Armaturarum have been chosen as the focus of the project. We concentrated on developing an innovative technology to be used in the physical reconstruction of archaeological artefacts with the help of artificial intelligence and a robotic infrastructure. Two Datasets are used to allow the artificial intelligence to recognise the 3D volumes of each fragment and the iconography of the pompeian wall paintings.Item Visualization, Virtualization, and 3D Data Analysis in the Historical (Re) Construction of Household, Village, and Regional Landscapes: The Mount Amiata-Maremma Digital Heritage Project(The Eurographics Association, 2025) Bigiotti, D.; Baleani, B.; Maschner, Herbert; Nucciotti, M.; Campana, Stefano; Campana, Stefano; Ferdani, Daniele; Graf, Holger; Guidi, Gabriele; Hegarty, Zackary; Pescarin, Sofia; Remondino, FabioBuilding on the seminal Mt. Amiata Project, the innovative Emptyscapes Project, and the initial work of Global Digital Heritage (GDH)) in southern Tuscany, a new form of transdisciplinary research is being developed. This project will transform the documentation, interpretation, and dissemination of the region's rich archaeological and historical heritage through interdisciplinary methodologies and the integration of advanced digital tools, including remote sensing, GIS, photogrammetry, and 3D visualization. This paper outlines the project's multi-scalar and diachronic approach to heritage analysis, emphasizing the interaction between digital technologies, historical reconstruction, and local community participation.