ArTLLaMA: Adaptating LLaMA to Performative Art Applications
dc.contributor.author | Passone, Elisa | en_US |
dc.contributor.author | Borazio, Federico | en_US |
dc.contributor.author | Hromei, Claudiu Daniel | en_US |
dc.contributor.author | Croce, Danilo | en_US |
dc.contributor.author | Basili, Roberto | en_US |
dc.contributor.editor | Campana, Stefano | en_US |
dc.contributor.editor | Ferdani, Daniele | en_US |
dc.contributor.editor | Graf, Holger | en_US |
dc.contributor.editor | Guidi, Gabriele | en_US |
dc.contributor.editor | Hegarty, Zackary | en_US |
dc.contributor.editor | Pescarin, Sofia | en_US |
dc.contributor.editor | Remondino, Fabio | en_US |
dc.date.accessioned | 2025-09-05T20:05:58Z | |
dc.date.available | 2025-09-05T20:05:58Z | |
dc.date.issued | 2025 | |
dc.description.abstract | Performative Arts represent a compelling and underexplored domain for the application of Generative AI, given their rich conceptual complexity and cultural depth. This paper presents ArTLLaMA, a domain-adapted version of the LLaMA language model, designed to support natural language querying of ArTBase, the first national database of Italian theatres and theatre archives. We focus on the Text-to-SQL task: automatically translating user questions into executable SQL queries. Off-the-shelf models often fail in this setting due to a lack of domain knowledge and schema awareness. To bridge this gap, we propose a two-stage fine-tuning methodology: first, we train the model to internalize the Entity-Relationship (ER) schema of ArTBase; then, we fine-tune it on a curated set of over 800 natural language-SQL query pairs reflecting real use cases in the domain. Our results show that schema-informed fine-tuning significantly boosts accuracy, with the best model achieving over 70% exact match andgenerating correct SQL even for complex queries involving multi-table joins and aggregations. Compared to general purpose models like ChatGPT, our approach yields more accurate, schema-compliant outputs. Beyond technical improvements, this work underscores the value of interdisciplinary collaboration: by embedding domain knowledge from the humanities into AI systems, we enable new forms of access, interaction, and understanding of cultural heritage data. | en_US |
dc.description.sectionheaders | Digitization and Segmentation | |
dc.description.seriesinformation | Digital Heritage | |
dc.identifier.doi | 10.2312/dh.20253113 | |
dc.identifier.isbn | 978-3-03868-277-6 | |
dc.identifier.pages | 10 pages | |
dc.identifier.uri | https://doi.org/10.2312/dh.20253113 | |
dc.identifier.uri | https://diglib.eg.org/handle/10.2312/dh20253113 | |
dc.publisher | The Eurographics Association | en_US |
dc.rights | Attribution 4.0 International License | |
dc.rights.uri | https://creativecommons.org/licenses/by/4.0/ | |
dc.subject | CCS Concepts: Artificial Intelligence → Machine learning; Natural Language Processing; Natural Language Generation | |
dc.subject | Artificial Intelligence → Machine learning | |
dc.subject | Natural Language Processing | |
dc.subject | Natural Language Generation | |
dc.title | ArTLLaMA: Adaptating LLaMA to Performative Art Applications | en_US |
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